Friday 27 December 2013

Think New Year, Think New Type

Read the type...this is not hype...the time is ripe...to BE a type...

"She's a reliable type."   "He's a good type."   "That's a great type of company."  

"She's the type that's always on time."   "He's the type that meets deadlines."

Puns aside - they'll take you seriously if you take them seriously.

(Click on the image below.)






Thursday 12 December 2013

In Appreciation of Written Word

Enjoy my "through the years" morphology of TEXT and TYPE ... from cave scratchings to screen pixels!

Thursday 5 December 2013

Medieval Typography

Black Letter




Early print houses molded individual letters from lead in order to mass-print books on printing presses first invented by Gutenberg in the 15th century (he had taken the idea for his life-changing invention from one day looking at wine presses and making a connection). These early typefaces were Black Letter, simulating the Gothic handwriting of scribes from earlier centuries, and were popular right up to the 20th century, especially in Germany.






Although today we employ typefaces such as Humanist, Modern and others easier for contempory audiences to read, one tradition remains from the Middle Ages, and that is the drop cap, which although not
 the colourful, detailed drawings of early monks, nonetheless mark the beginning of a chapter.

 Individual characters gradually became lighter and more Roman, influenced by regional handwriting styles. Future posts will detail these later designs, but for now, have a look at the Black Letter typeface above – although illegible to many today, one must admit there is a certain beauty to Black Letter.


Many newspapers use some form of Black Letter for their name brand even today. See below.

 
 
 

Friday 29 November 2013

Time to Head in Another Direction

Okay, enough about logos and branding for now. I'll wrap up with an Inukshuk from the True North Strong and Free, then continue on next month with typography - always a favourite for designers.








Monday 21 October 2013

All Things Change: Including Logos!


A logo is often a viewer’s first impression; therefore it is essential that it represent its company accurately and quickly.

Your logo should signify what you’re selling. What is your product? I’m not asking whether it’s a radio or a can of soup or a cleaning service. I’m asking you to think about your mission statement and the image of your product. For instance, if it’s a radio, would that be a sleek, sophisticated radio that fits in a business-suit pocket? Or a utilitarian, large-sized box that can be hand-wound during a power cut or when you’re camping in the woods? Is your cleaning service an upscale Persian-carpet cleaner? Or a sterilizer of hospital equipment? You see how many variables there are? A logo should reflect the vein of a specific company.

Another aspect of logos is to keep longevity in mind. And although it is true that companies change over time, often evolving their logos with them, it’s a good idea to do this slowly, over years, so that consumers don’t think the product has suddenly disappeared. However, progression of a logo may be because of reasons other than an expanding firm.

Think of Canon cameras, originally called Kwanon. See the initial logo below.



Follow the progression and you’ll see two reasons for the changes. The first logo, although beautiful, was not scalable (see my earlier post about scalability: “Logos, Icons, Pictograms, Photographs in Social Media”). It also was not a familiar image or name in the western world at the time.  Kwanon is the Buddhist Goddess of Mercy – how many people in the West know that now, let alone 70 years ago when this Japanese logo was launched?


Gradually, the name changed, the picture was eliminated and the colour enhanced to a more specific spot colour. Remember from my earlier post, “Colour and Your Brand,” that viewers notice red objects very quickly, and that red symbolizes power and strength. Just about everyone now recognizes the Canon logo in an instant and knows it to represent a reliable camera.



Trivia break: Did you know that logos have existed for thousands of years? If you think about it – one thing logos say is “I made this.” And potters in ancient Greece and Egypt were inscribing their personal marks or initials onto the bottoms of their pots and bowls since way before the pyramids were built. It was a way to advertise themselves and their abilities.

Today, a good logo delivers a unique message about a particular company – and the most effective ones are instantly recognizable whether button-sized or billboard sized.


 
 

Friday 4 October 2013

Logos, Icons, Pictograms, Photographs in Social Media

 

Most of us are aware that viewers respond to pictorial signs, for we are visual creatures and remember things we see – especially images.

Those in advertising know pictures are key to marketing, and these include logos, icons, pictograms and photographs. So what’s the difference between these four? Below are short definitions as they relate to the world of business.

Logo


In marketing, a logo is a graphic depiction or representation of a company name and is designed for instant recognition. As mentioned in my last post, a logo can consist of just an image, or it can be a logotype, or a combination mark.
 
 
The important elements of logos are scalability, and adaptability to both colour and black and white. The first of these, to be scalable, is because the logo must be identifiable within any media – for instance, in a large format for a billboard poster or else reduced in size for a thumbnail web graphic. For this reason, vector-based logos are more common.  As for colour versus black and white: most logos generally will be produced in colour, but they need to be recognizable in black and white too. How else would logos stand out if company brochures were photocopied, for example? A well-designed logo will be seen and known at any size and in any colour/non-colour format.
 

Icon

Icons are graphic depictions like logos, but utilized differently. They started out being used in a mainly informative manner – and still are – but now icons are also an entertaining way to convey messages. Examples of an icon’s use are as metaphorical or abstract analogies that a reader can understand quickly; for instance, a cursor turning into a pointy-hand when a line of text is linked and clickable. Icons are great at fulfilling functions on tablets and smartphones where a screen can’t hold sufficient explanatory text.

 
As well, icons can be animated: lines visually pulsate, buttons change colour when activated, cartoon characters move. Emoticons are a good example of moving icons: they are entertaining for they smile and wink at us, poke their tongues at us, and nod their cute little heads.

Well-thought-out icons are understood globally, across boundaries of language. This is why commonplace figures such as hands, vehicles, geometric shapes, animals and humans make the best figures for icons.


Pictogram


These are for guidance and are used to protect and warn the viewer; therefore they must be instantly decipherable.

 
There is an art to creating simple, single images that convey very clear messages. Pictograms, like icons, must cross cultural lines and be understood regardless of language. Therefore they must resemble that which they signify, or else be globally agreed up signs. Pictograms as such are not often used in the advertising world to market products, but they are important in keeping us from walking off a cliff…
 
 



Photograph


In marketing, an effective shot of the merchandise – think shoes, cars, lipstick – or an image demonstrating a lifestyle the merchandise gives us – think hammock on the beach; being admired by observers; jumping for joy – can do wonders for getting viewers to realize the benefits of your product.

Photographs are not logos, but can be as memorable and are another tool for alerting your clients and enabling them to recall your image when shopping around. One trend in contempory advertising is to use photographs of people performing a function or animals making eye-contact with the viewer.

 
 

 

Friday 13 September 2013

Does Your Logo Serve Your Brand?

Logos are part of the visual identity of a company’s brand. A well-designed one, with regards to symbol, typeface and colour, will strengthen visual identity and generate an emotional reaction on the part of viewers.

About Logos 


Logos can be figurative and representational. They act as icons for your company identity and a new brand, over time, can become instantly recognizable if designed well. Stylized figures act as metaphors for your product. Colours convey mood. Choice of font, spacing and size are all important issues to consider.

Logotypes, or wordmarks, use lettering to represent a company in a memorable way. Some organizations commission a type family especially for their own use. Starbucks is an example and its unique lettering, in its particular PMS hue of green, is easily brought to mind.

Talking of Starbucks brings us to another element of logos: combination marks. These are, as is implied, a combination of logo and logotype and Starbucks has a very effective combination mark. The logo – image of mermaid with long hair – is often shown together with the lettering around it. However, both are also standalones, which means the consumer will know Starbucks even when the female image is not accompanied by wording: The logo is in the recognizable brand of green and is distinct in style. There is no mistaking what the image alone represents. The same is true of the lettering – it also has standalone capabilities. This combination mark is a clever piece of design work.

About Colour in Logos


My previous post discussed mood and image conveyed by colour. Let’s return to that topic and I’ll demonstrate colour in logos. I’m located in Oakville, Ontario, so will use local logos to demonstrate my points.


Halton Healthcare's design contains green - remember, this signifies harmony, fertility and health. It is combined with yellow for Spring or new beginnings. Blue is for meticulousness, and there are two shades. One would certainly want medical professionals to be meticulous! The logo signifies motion and activities; it hints at the sun, sea and hills, as well as a human figure swimming. Plenty of action in this logo.


Another logo related to health: Sunnybrook Hospital. The green here is similar to the pale greens found in hospital corridors and rooms and brings a mood of tranquility. The blue type is, again, meticulousness and intellect. It is a serif font, similar to the one above, and classical in design.



This is an interesting, warm shade of sea blue-green signifying nature and nourishment. Remember, orange is effective only in small quantities; the designer got it just right. The strong J is a sans serif font and a logo all in one.  Orange is invigorating and warm and signifies the comfort of this hospital. The all-capital, sans serif typeface emanates a modern, forward-looking attitude to healthcare.




Many educational facilities choose blue and/or yellow somewhere in their brands. As mentioned, blue hints at intellect. As well, it signifies serenity. The eye-catching yellow is represented as geometric shapes adding up to one organism, with one small square borrowed for the dot over the "i". This combination appears simple, but is deceptively so: it is a brilliant piece of work.


This university chose to be different. The grey is a sensible choice and a good complement to the attention-grabbing yellow and powerful red. These signal first steps, or new beginnings (yellow) and vigour and energy (red). The logo is actually a herald and the viewer feels the possibilities of soaring upward, the freedom and height of a bird.




Like Sheridan above, this university chose blue and yellow. The colours, again, signify intellect and meticulousness as well as positive energy. The typeface is specific to Ryerson; it's a beautiful serif and in very effective white uppercase. The placement of blue and yellow hints at several years of study followed by stepping out into the world.


WHAT NOT TO DO WHEN CHOOSING LOGOS 

A useful link to generic logo ideas - what to avoid:

http://www.gtgraphics.org/genericlogos.html









Sunday 8 September 2013

Colour and Your Brand


What is Colour?


In the seventeenth century, Isaac Newton experimented with prisms, light and colour. Up until that point, people had thought that a prism was able to add colour to light passing through it, but Newton showed that in fact, prisms break down white light waves into separate waves of varying length, the longest wavelengths being perceived by us as the colour red, and the shortest as violet.
Newton proved that light is made up of various colours that can be divided, by projecting red, orange, yellow, green, blue, indigo and violet lights back through a prism to illustrate that they then merged and turned into white light, thus proving to skeptics that his theory was correct.
On a fundamental level, then, Newton had recognized that light consists of electromagnetic waves from a light source, such as a candle or the sun, and that these waves are varying lengths. They are the only ones visible to the human eyes, and we now know they are sandwiched between infrared rays, gamma and X-rays on one side, and ultraviolet and radio waves on the other.

Trivia Break: Did you know that butterflies can see ultraviolet (and humans can’t)? UV light apparently is useful for a butterfly’s navigation.

Colour Theory


Advertising your Product
What is colour theory? It is about the application of colour: the effect of colours on different audiences and age groups, and on various cultural groups. It is even about the effects of colour in certain decades, for colour can reflect the mood of the times. Colour choices are important to consider with regard to your brand. To help with that, we have useful tools such as the colour wheel, which shows primary, secondary and tertiary colours. The wheel can be useful for viewing complementary colours: each colour’s complementary colour is opposite in placement on the wheel; for example, yellow’s complementary colour is violet.
 
Advertising is all about aesthetics and attraction. Whatever your product or service is, the sole purpose of advertising is to attract consumers. A successful campaign includes effective branding, and colour is an important element of your image. What is your product? An educational service like language classes? A family-oriented product such as insurance? Is it a collection of gifts, food items, teen fashions, reading materials, electronics, vehicles? Products and services can be reflected in the colours used in branding and marketing. Various colour schemes relay specific messages, depending on variables such as combination, hue saturation, quantity and placement.

Colour and Mood
Colour influences our behaviour and perception. Colour psychology is partly affected by age, gender and background; however, there are many universal reactions to colour as well. When you look at colour in relation to marketing your product or service, think about the effect of colours on mood. See the common colours listed below, and bear in mind that usually, a combination of two or more colours will result in the desired mood for your audience.
Yellow is extremely eye-catching and is one of the first colours the brain picks out. Because of this, it is attention-grabbing, but must only be used sparingly, for too much yellow is tiring to the eye. So – in small quantities, yellow is a good choice. It is an energetic and positive colour, bringing to mind new beginnings such as Spring, or perhaps “Taking the First Step.” Yellow is sunshine. Yellow is cheerful. Used in small quantities, it can be an effective supplementary colour.
To convey an aura of luxury, choose purple. It is elegance personified and appeals to women, especially, due to its rich and high quality feel. Purple can be used to attract buyers to high-end items and also, conversely, to give a sense of quality to cheaper products when used in the right way. It has been found that teenage girls respond the most positively to purple.
One of the most powerful colours, red hits you between the eyes with its vigour and energy. Just about everyone likes red, from babies, who respond to red before any other colour, to children, who choose primary-colour toys over pastels, and adults, who respond to it with passion – both love and hate. Red portrays strength and power; thus it is very useful in the advertising world. It is often used in marketing food and restaurants, because is it considered an appetite stimulant.
Think nature, think health, think tranquility. As well, think success. In our world of today, green portrays harmony, for it is easy on the eye; for this reason, pale greens are often found on hospital walls and clinics. As well, there is a firm association of green equaling environmental and organic goods, as well as fertility. On the other hand, green connotes financial power and money; therefore, shades of green are useful in branding for such business as insurance, investment and related services.

Trivia Break: Traditionally, in Scotland the Highlanders wore green as a mark of honor; hence it is found in many tartans.
Blue is sky and water, and therefore serenity and calm. It also hints at meticulousness and intellect. Dark blues can sometimes illustrate sadness, but many shades signify elegance and a business-like or sensible approach. It is interesting that many school uniforms include this colour. Blue is a favourite, both by itself and in combination with other colours.
Worldwide, pink equals the feminine principle. It is attractive and is associated with love and romance. Too much pink can be emasculating, but it is a calming colour and a big hit with women and girls. Deep shades of pink, such as fuschia, can say Strength, and paler pinks emanate softness, gentleness. Used in conjunction with black or green, and depending on layout, pink can be a perfect addition for specific kinds of branding.
This is the warmest hue of the colour wheel, but without red’s occasional association with negative emotions. Like yellow, orange can be overbearing if used in large quantities, perhaps because it mimics the flame of a fire.  Orange represents invigoration and, in combination with other colours such as grey or white, can be very effective for the right product.
Of course, black can signify solemnity and death. Remember, “death” can mean the end of something old and the beginning of something new: the discarding of unnecessary habits for a new beginning, for example. Black can also indicate negativity in a positive way – and yes, that is a deliberate oxymoron. Black contrasts well with bright colours and can make them stand out. Black is good for indicating formality and a business-like approach.
Symbolizing purity, cleanliness and goodness, white is most thought of in advertising as “white space,” which means giving plenty of room to elements that need to stand out. As a colour used in branding, it is a good complement and, like black, it can help other colours stand out. White is effective in logos, especially as “negative” space.

Thursday 5 September 2013

Introduction to DLT - all about Design, Layout and Text

For my first blog, I'll simply share some images - and because autumn is on the way, let's begin with a few leaves...



Ah, the pleasures of photography...and of Photoshop!

Happy Autumn. I'll be back with more, now that my blog is up and running.